Book Launch at New Dominion in Cville

When I started work on my debut novel The Coal Tower (https://amzn.to/2HcegCg) ten years ago (there were previous novels, of course, piled in that proverbial drawer), one sweet dream that drove me to get up at 5 am, brew some coffee, and sit down in the light of my laptop to write before work was the possibility that someday the book would come out, and when it did, maybe I’d be fortunate enough to launch it at my favorite bookstore, the linchpin of Charlottesville’s literary scene, New Dominion.

Living in Charlottesville, working as an occupational therapist at UVA-Healthsouth, then starting a community reentry program for people with brain injuries connected to Martha Jefferson Hospital, then starting up an early tech company Cerebreon, along with acute care practice at UVA Hospital, while also starting a family with my amazing wife Chris and our two boys (both out of their teens now), the ideas and characters for this novel did what I guess you’d call germinate. An autocratic neurosurgeon at UVA, one of our brain injury clients who tended to drift off to a homeless camp on the edge of the river, teenaged patients emerging slowly from comas caused by car crashes or shootings, and so on, all this swirled around my busy days with no place to land.

Then there was that tragic shooting at the old coal tower downtown, when a young man with mental health problems killed two teenagers. That event struck me as a metaphor somehow for what I felt about Charlottesville, and its disparate communities, but it took me the writing of the novel to place it. I hope that’s what I’ve done.

Anyway, next week that sweet dream comes true. New Dominion is holding a launch party for The Coal Tower. And what’s even sweeter, they’ve scheduled it during Game Week. The novel takes place in one day – the day of UVA’s first football game of the season – and my reading will be held that same week (on Wednesday August 28, from 7-8 pm). Much of the action in the book takes place on the Downtown Mall, just outside the doors of the New Dominion Book Shop. How sweet is that?

So, if you live in the Cville environs, hope you can come and share in my dream come true. It’s been a decade in the works, but now tastes to me as delicious as a scoop of Chap’s coffee ice cream in a waffle cone!

Here’s the New Dominion link for the event: https://ndbookshop.com/events/tony-gentry-the-coal-tower/. Y’all come, now!

Faerie Book Gifting

So, I read about this thing where writers leave their books for people to pick up and read wherever, and thought it might be fun. In Charlottesville yesterday, followed the trail that the characters in The Coal Tower make, and left a copy of the novel at the Downtown Mall bus station, where Dr. Cannon holds his Hollywood-inspired party. In the book, I imagine this party on the rooftop of the bus station, giving the attendees views of a concert in the Sprint Pavilion next door. Couldn’t, of course, get up there, so left the book on a seat inside:

Would you party on that roof?
Leaving my lonely book behind…

Then went up to UVA, but the Jeffersonian pavilion where the good doctor relieves himself (after his slo-mo streak) was wrapped in scaffolding. So left a book on a rocker in front of one of the student apartments.

Finally, sought out the old coal tower itself. In a driving rain, came upon a dramatically different scene than the one in the novel. Where there once was a field (where the teenage lovers Chloe and Lucas end their daylong traipse around the city), there now stands a long row of condos and brightly painted storefronts, the apartments running right up to the edge of the coal tower, with more on the way. Once completed, the complex will bookend the old tower, which I guess is just too sturdy to tear down.

But the train tracks that figure in the story still run along to the right of the picture, the Sally Hemings dress frame structure (that the book’s character Sid thinks is an antenna for cosmic aliens) still tops the tower, and at least until they finish that new row of condos on this side, I think you can still imagine the climactic drama from the novel. Too wet to leave a book – next trip!

The Coal Tower is all about the tensions, misunderstandings, and disparities in families and community in Cville. Along the way, though, I paused before this corner, marking the place where the city exploded beyond anything I could have imagined just two years ago. What are we all going to do about that?

An Interview with James Cotter – 60-Something Debut Novelist

James Cotter is an associate professor of Gerontology at Virginia Commonwealth University and the author of a gripping SF thriller about the travails of building a bridge across the Bering Strait. Here’s an excerpt from the novel’s opening passage:

The environmental challenges surpassed any other construction project, and these were dwarfed by the financial and political challenges. But the dream would not die – because humankind still remembers, deep in their souls, their early migrations when they walked out of Africa and spread across the world. And the Bering Strait has always remained a symbol of humanity’s sundered kinship, and so eventually someone would restore those ancient ties with a bridge across the Bering Strait.

The Bridge over the Bering Strait is self-published, available on Amazon in paperback or Kindle versions. Brisk, deeply grounded, and thought-provoking, it’s a good beach read, especially on those muggy days when a dead accurate depiction of winter in Alaska may soothe. We talked in downtown Richmond at Sefton Coffee.

When did you find time to write this novel?

I wrote the book over several years of early mornings – getting in an hour or so before work – and taking writing vacations as it came together towards the end. That’s still how I write. In the work we do as professors — which is intellectually strenuous — by the end of the day it’s hard to focus enough to get any real writing done.

Did you workshop the book or have readers look at your drafts?

I had some friends read parts and I was in a writing group at the time and received great feedback there.

Why this theme – building a bridge across the Bering Strait? It seems almost mythical, since as you have written, it serves to heal the broken link that brought the first Americans here. And speaks to the tortured Russian-American relations that have colored all our lives.

An image just came to me one day. A father and son were falling into the Bering Sea from a bridge. Just took off from that image.

You chose to self-publish this book. Had you shopped it around to agents before you went that route?

I did. Went to James River Writers Conference and met agents there, but nobody bit. I sent it off to a few agents and editors, but again no one seemed interested. So I went to Amazon’s Create Space and paid the $3000 to have them copy edit, typeset and publish the manuscript.

It looks good, beautiful cover, trade paperback quality, well done!

My son’s a graphic designer, so he mocked up the PDF for the front and back covers, and we used that. Create Space will do that, but it would have cost more and it probably wouldn’t have been any better.

So the book came out in 2010. How’s it been selling?

I’ve sold under 100 copies, a few more than just family and friends, ha. But I haven’t made my investment back, if that’s what you’re asking. And probably won’t. When you consider the monthly flood of books from traditional publishers in every genre, the thousands of writers going the self-publishing route. I paid some money extra for what Amazon called a marketing package. I think they sent out fliers to booksellers, that sort of thing. Of course it was a joke. They must get millions of these fliers. Next time, I won’t bother to pay for that feature. After all, a friend of mine who writes romances told me she has 30 days on bookshelves before they pull her books. 30 days to get somebody’s attention. And that’s for an accomplished author.

But you’re still at it.

I am. I’m taking a few days off next week to fly out to Portland, Oregon for the annual Historical Novel Society conference. I have an idea about an American soldier who finds himself involved in the sequence of conflicts that spread across the late 19th Century, between the Civil War and World War I. One book for each conflict. Meets Teddy Roosevelt, etc. I was a history major in college and I know how to do the research. I enjoy imagining myself back into those details of life back in the day, in different eras.

Your eyes light up when you talk about this. It’s like here you are in your 60s, near the end of a quite accomplished academic career, and you’re starting fresh with this whole new endeavor with some of the enthusiasm of a young man! Do you think there are a lot of writers out there who are taking up a pen as retirement comes closer?

Probably thousands and thousands. I mean, I wanted to write when I was young. I actually did that thing, went to Paris, lived in a garret, sat at a café table all day. The whole deal. Then eventually came to my senses, came home, and found work that I felt was both meaningful and paid the rent.

Do you regret that decision?

How could I? It’s been so rewarding on so many levels to have this career, to raise a family. And coming back to it now, yeah, who knows what I may have lost? But I’m not a naïve kid anymore either. The lived experience of all these years. I can draw on that now.

Yeah, our stories run parallel in those ways. New Orleans was my Paris. I mean, we all have this romantic notion about the starving artist and all, but most of the writers and artists I know have day jobs or rich spouses or trust funds. You don’t expect to make your way doing it really.

No.

It’s a stretch, but isn’t there something romantic or cool, too, about going back to your art in retirement? There’s less pressure to make the rent, you’re not fretting over getting rich and famous. You’re perfectly free to write what you want.

Except that the stress does drive you. Lacking that, it’s easy to take a day off, lay the story aside, go putter in the garden.

Well that’s true even with the stress, eh?

You know, much of my academic career has been about fighting ageism. So maybe I’m especially sensitive to this. I would think, though, that there may be an understandable but I would say unfair bias among agents and publishers who may shy away from an older writer. They’re investing in a career and all the years it takes to get a series of books written and successful in the marketplace, thinking that the older writer won’t have the stamina to get it done.  But I’d argue that we’re the ones with the energy and the time to really focus.  So I think that may be a mistake on their part.

And as you say, the older writer can bring that lived experience to inform the writing. Meanwhile, self-publishing. So you put the novel on your shelf, and pass it out to friends, and sell some here and there. And get on with the next one.

Yes. That’s right. And I suppose if you’re up for it you can self-promote, build some social media presence, go to book readings, maybe even show up with a box of books at the local bookstores.

And occasionally a self-published book catches on that way and a traditional publisher picks it up.

I’ve heard of that happening. For me, I’m glad that self-publishing is so accessible. Being able to hire an editor and control all the publishing details yourself, that’s not so bad. Better than the old days, I’d say.

Do you have a title for the book you’re working on now?

Not yet. Keane’s Quarry maybe.

We should start a 50 or better writing club. A guild!

We could, for sure. Not a bad idea.