Finished Dharma Bums, its final rapturous rush as Kerouac’s protagonist (clearly and baldly autobiographical) packed a Summer on a Cascades Mountains (Desolation Peak) fire lookout into half a dozen pages; the final page as innocently exalted as I have felt in my epiphanies, so many of them nature-driven, and heartbreaking since we know how his short life will devolve into alcoholism (his drinking a recurrent theme in the book, the Gary Snyder character deriding him for always needing a drink) and a sequestered death at his mother’s house in Florida. Coming off the mountain, believing he’s learned an ultimate truth through a Buddhist filter, all is right; he fears and yearns for the tumult of the cities, suggests that the lessons of his mountaintop solitary Summer will carry him through. I have felt exactly that, and wondered if I was the only one who had walked that path. Kerouac says, no, this is not an uncommon thing, it’s open to anyone; just let yourself turn towards that edge of madness depth perception, check your everyday cynicism at the door, and grin.
Can’t believe I’ve never read this book before. It sums up so beautifully a path I’ve trod (and you have to think this book influenced the music and literature and the whole cultural gestalt that led me along all these years – it certainly had to up the ante for the coming youth movement, almost seems a blueprint for hippiedom and its many offshoots, in ways that On the Road was not) (that classic almost a cautionary tale about the dread of aimlessness, whereas Dharma Bums, with its hilariously ham-handed and dilettantish Buddhistic flourishes, points the callow reader towards inward-seeking life goals Thoreau or Muir would have appreciated).
The woodsy parties sound like Electric Kool Aid Acid Test fests, minus the LSD (not yet invented), no doubt emulated by all the hippie communes to come. I’ve been to parties like that – I’m thinking especially of weekends at Nora’s rundown Mississippi plantation. Young people at play with flowers in our hair, skinny dipping in the creek, at the cusp of some sort of revelation, and holding it there like a glow of pot smoke swelling our lungs. Those weekends, probably every day of my wild oats years in New Orleans, too, just another On the Road–Dharma Bums derivative. And not just then and not just me, of course. Think of their influence on the searching, fulfillment-yearning, meandering way we have all lived in the sixty-plus years since their publication! Even if you never read them, they signified. What culture shaking power Kerouac’s two great novels unleashed!
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